Saturday, February 27, 2010
With Jimmy Barnes at Motown After Party
James Dixon Swan (born 28 April 1956), better known as Jimmy Barnes, is an Australian rock singer-songwriter of Scottish background. His father Jim Swan was a prizefighter and his older brother John Swan is also a rock singer. His career as both a solo performer and as the lead vocalist with the rock band Cold Chisel has made him one of the most popular and best-selling Australian music artists of all time. The combination of 14 Australian Top 40 albums for Cold Chisel and 13 charting solo albums, including nine No. 1s, gives Barnes the highest number of hit albums of any Australian artist.
With Martha Reeves of Martha and the Vandellas at the Motown After Party
Martha Rose Reeves (born July 18, 1941 in Eufaula, Alabama) is an American R&B and soul singer and former politician, and was the lead singer of the Motown girl group Martha and the Vandellas. During her tenure with The Vandellas, they scored over a dozen hit singles, including "Jimmy Mack", "Dancing in the Street" and "Nowhere to Run". From 2005 until 2009, Reeves served as an elected councilwoman for the city of Detroit, Michigan.
Martha and the Vandellas
With her brassy and gospel-reared alto vocals, Martha Reeves helped Martha and the Vandellas ascend from background singers with early songs such as "Come and Get These Memories" and "(Love Is Like a) Heat Wave" distinguishing the group from contemporaries and label mates The Marvelettes and The Supremes, who were more influenced by doo-wop. Though the group's early recordings under their different monikers were doo-wop oriented, the majority of songs released under the Vandellas' name produced a rougher, soulful sound with frenetic musical backing from The Funk Brothers. Martha's alto, Rosalind Ashford's soprano and Annette Beard's contralto vocals gave their harmonies dimension and made their recordings unique. After "Heat Wave" became the group's first million-seller, the Vandellas quickly rose to become the label's top draw both as recording stars and as a successful live act. Martha was the one consistent member of the group staying throughout all the group's incarnations and lineups. After the exits of original members Annette Beard and Rosalind Ashford, members replacing them included Betty Kelly, Sandra Tilley and Martha's youngest sister Lois Reeves. Among the singles released that became signature hits for the group included "Quicksand", "In My Lonely Room", "Live Wire", "Nowhere to Run", "A Love Like Yours (Don't Come Knocking Everyday)", "I'm Ready for Love", "Jimmy Mack", "Honey Chile" and the group's most popular single, "Dancing in the Street". Martha often cites her performance highlights as one being a performance with Vandellas worshiper, Brit soul singer Dusty Springfield, on the UK show, Ready, Steady, Go! and performing on the Ed Sullivan Show.
Despite the success of the Vandellas, Martha was dismayed by Berry Gordy's decision to promote The Supremes and the group's lead singer Diana Ross in particular more so than the Vandellas. Other issues -- including group infighting (Martha often tangled with Betty Kelly), a stringent recording and touring schedule and other matters led to Reeves abusing prescription drugs and alcohol. Near the end of the decade, Reeves suffered a nervous breakdown from an acid trip and had to be institutionalized in 1969. The breakdown led to a brief disbanding of the Vandellas in which Ashford left for good. When Reeves was well enough to return, she recruited Sandra Tilley and the lineup of Martha and Lois Reeves and Tilley continued until 1972 when the group disbanded shortly after issuing the Black Magic album. In 1973, Martha planned to continue releasing solo work with Motown, but when the label moved from Detroit to Los Angeles, an angry Reeves negotiated out of her contract with Motown, ending her 12-year association with the label.
With Joan Osborne at the Motown After Party
Joan Elizabeth Osborne (born July 8, 1962) is an American singer-songwriter. She is best known for her song "One of Us", and for her work with members of The Grateful Dead.
Originally from the Louisville, Kentucky suburb of Anchorage, Osborne moved to New York City in the late 1980s, where she formed her own record label, Womanly Hips, to release a few independent recordings before signing to Mercury Records; Soul Show: Live at Delta 88 (1991) was her first album. Her second (and first major label) album was Relish (1995), which became a hit on the strength of the single "One of Us". The song was much more pop-oriented than the rest of the album, which was steeped in country, blues and folk music. "Right Hand Man" and "St. Teresa" were minor hits following the success of "One of Us".
She was featured in the 2002 documentary film, Standing in the Shadows of Motown, and toured with Motown sidemen the Funk Brothers. She and her band accompanied the Dixie Chicks for a national tour in the summer of 2003, during which time she also joined veteran San Francisco jam-rockers The Dead as a vocalist, and released her fourth album, titled How Sweet It Is, a collection of classic rock and soul covers.
Originally from the Louisville, Kentucky suburb of Anchorage, Osborne moved to New York City in the late 1980s, where she formed her own record label, Womanly Hips, to release a few independent recordings before signing to Mercury Records; Soul Show: Live at Delta 88 (1991) was her first album. Her second (and first major label) album was Relish (1995), which became a hit on the strength of the single "One of Us". The song was much more pop-oriented than the rest of the album, which was steeped in country, blues and folk music. "Right Hand Man" and "St. Teresa" were minor hits following the success of "One of Us".
She was featured in the 2002 documentary film, Standing in the Shadows of Motown, and toured with Motown sidemen the Funk Brothers. She and her band accompanied the Dixie Chicks for a national tour in the summer of 2003, during which time she also joined veteran San Francisco jam-rockers The Dead as a vocalist, and released her fourth album, titled How Sweet It Is, a collection of classic rock and soul covers.
Wednesday, February 24, 2010
……….. what else are we missing?
Washington, DC Metro Station on a cold January morning. A man with a violin plays six Bach pieces for about 45 minutes. During that time approx. 2 thousand people passed through the station, most of them on their way to work. After 3 minutes a middle-aged man noticed there was a musician playing. He slowed his pace and stopped for a few seconds and then hurried to meet his schedule.
4 minutes later:
The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.
6 minutes:
A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
10 minutes:
A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.
45 minutes:
The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.
1 hour:
He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin valued at $3.5 million dollars. Two days before, Joshua Bell sold out a theater in Boston where the price of seats averaged $100.
This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities. The questions raised: in a commonplace environment at an inappropriate hour, do we perceive beauty? Do we stop to appreciate it? Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this: If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made……….. what else are we missing
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
4 minutes later:
The violinist received his first dollar: a woman threw the money in the hat and, without stopping, continued to walk.
6 minutes:
A young man leaned against the wall to listen to him, then looked at his watch and started to walk again.
10 minutes:
A 3-year old boy stopped but his mother tugged him along hurriedly. The kid stopped to look at the violinist again, but the mother pushed hard and the child continued to walk, turning his head all the time. This action was repeated by several other children. Every parent, without exception, forced their children to move on quickly.
45 minutes:
The musician played continuously. Only 6 people stopped and listened for a short while. About 20 gave money but continued to walk at their normal pace. The man collected a total of $32.
1 hour:
He finished playing and silence took over. No one noticed. No one applauded, nor was there any recognition.
No one knew this, but the violinist was Joshua Bell, one of the greatest musicians in the world. He played one of the most intricate pieces ever written, with a violin valued at $3.5 million dollars. Two days before, Joshua Bell sold out a theater in Boston where the price of seats averaged $100.
This is a true story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of a social experiment about perception, taste and people's priorities. The questions raised: in a commonplace environment at an inappropriate hour, do we perceive beauty? Do we stop to appreciate it? Do we recognize talent in an unexpected context?
One possible conclusion reached from this experiment could be this: If we do not have a moment to stop and listen to one of the best musicians in the world, playing some of the finest music ever written, with one of the most beautiful instruments ever made……….. what else are we missing
http://www.washingtonpost.com/wp-dyn/content/article/2007/04/04/AR2007040401721.html
Tuesday, February 23, 2010
At the Motown 50 after party in Brisbane with Ian Moss
At the Motown 50 after party in Brisbane with Ian Moss
Ian Moss is an Australian rock musician, best known as the guitarist and occasional singer with Cold Chisel. In that group's initial ten year career, Moss recorded eight albums, three of which were #1 national hits. His solo career began with a #1 album and single and five ARIA Awards. Since then his career has been more low-key, interspersed with periodic tours and albums with a reformed Cold Chisel.
http://en.wikipedia.org/wiki/Ian_Moss
Labels:
Ian Moss,
Motown After party
Jon English, Alessandro Sorbello and Peter Cupples
Recently I had the opportunity to film 2 great Australian icons performing in Brisbane at Miss Dee's. Jon English and Peter Cupples performed to an enthusiastic audience a collection of their classic hits.
Jonathon James English (born 26 March 1949 in Hampstead, London, England) is an Australian rock singer, musician, actor and writer. Jon English emigrated to Australia with his parents in 1961. He was an early vocalist and rhythm guitarist for Sebastian Hardie but left to take on the role of Judas Iscariot in the Australian version of the stage musical Jesus Christ Superstar from May 1972,[2] which was broadcast on television. English is also a noted solo singer, his Australian top twenty hit singles include "Turn the Page", "Hollywood Seven", "Words are Not Enough", "Six Ribbons" and "Hot Town".
http://en.wikipedia.org/wiki/Jon_English
Peter Cupples led the band Stylus, one of Australia's best-known acts, in the 1970s when pop/rock groups Sherbert, ACDC and Cold Chisel dominated. Stylus combined a soul and funk sound with rich harmonies. Eventually the group signed for American giant Tamla Motown, the first white group to sign for the label. Hits included "Summer Breeze" and "World Of Make Believe". During the 80s, Peter led The Peter Cupples Band which made two albums and has since maintained a significant presence in the industry.
http://www.abc.net.au/oztrax/stories/s1429044.htm
Labels:
Jon English,
Miss D's,
Peter Cupples
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